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"who are I, what am you"

by the salesman who

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1.
who are I, what am you 01:12
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WHO ARE I WHAT AM YOU // Lord I forgive you for every flower made. Lord I could be you but silence is not my way. Who are I and what am you? Who are thy and what is true?
2.
times of Romans 03:27
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TIMES OF ROMANS // You don’t have to be small to grow. You don’t have to start from here. You don’t have to know it all, I’m sure somebody else will. You don’t have to smoke to die. You don’t have to walk, to pass me by. + Can I be, can I be it all?+ There’s times of Romans, there’s times of war, but Romans fought. There’s times of future, there’s times of past, this day has really done his best. I can tell you this, I can tell you this, that I won’t confess. That it’s over now, it’s over now, it’s over now. That it’s over now, it’s over now, it’s over now. + Can I be, can I be it all? Can I see, am I worth the fall? Can I be, can I be it all? + I’ll fight when I’ve won, I’ll fight when I’ve won, but I’ll die, when I’m done. I’ll fight when I’ve won, I’ll fight when I’ve won, but I’ll die, when I’m done. + Can I be, can I be it all? Can I see, am I worth the fall? Can I be, can I be it all?
3.
stubborn like the crown 03:18
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STUBBORN LIKE THE CROWN // We are always down. Never we’re alone. We are always found, never far from home. + So low and so slow, nothing ever changed a bit. Stubborn like the crown, on my head, that wouldn’t fit. + We have been a while. Some of us have gone. Some of us are bored. Most of us are whores. We are always down. Never we’re alone. We are always found, never far from home. + So low and so slow, nothing ever changed a bit. Stubborn like the crown, on my head, that wouldn’t fit. + We are down, tonight. We have found, the right. We are down. We are so low. + We are here and we are found. We are hate and we are down. We are hate and on the floor. We are here and we want more.
4.
a size to what is right 03:11
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A SIZE TO WHAT IS RIGHT // Holly came and her mother too. She gave to me, what I asked of you. + Who, you are? What, you’ll be? + Holly tried to get out of it, she had minds to feed and a birth to give. Fake the man the mighty man that you’ll never be. Reach the land the holy land that you’ll never see. + There is a house inside the storm. There is a mind that barely knows. We are a part of those who try. There is a size to what is right. + Holly died and her mother too. She gave to me what I asked of you. + Who, you are? What, you’ll be? + Things that you will never know, deserve to be, only never told.
5.
beware 03:10
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BEWARE, AND HOW WE DEFER FROM NATURE // Out on the waves, I am the eyes above. Sound is the size of what, the what you want to hear. Form left aside, down are the eyes I know, earth is the way you grow, the way you want to feel. + Oh but beware, I know that I am right. Oh but beware, I know that I will try. I said oh but beware, I hope that I can be, the way you want to be. + There is a house, house that I know about, house that is built upon, the ground you want to feed. You have the eyes, I know you’re there, I know I’m here, around. + Oh but beware, I know that I am right. Oh but beware, I know that I will try. I said oh but beware, I hope that I can be, the way you want to be. + All our hands aside, we are on the waves, the size of what you know. You don’t have the time, you don’t know the way, what I have known today. Beware. Beware. You are the waves. I am the industry. You are the way you are, the way I want to be.
6.
trouble leads to major land 03:10
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TROUBLE LEADS TO MAJOR LAND // Trouble leads to major land. Time by time is the time we spend. Four. Our hands. And then away. Today. I don’t need to understand. I don’t need you to comprehend. Lovers walk on by each day, or away. + Hard enough to ride across the land of the real and make us light as dust. To cross islands of water and of seas, heroic minds at peace. To cross the weights and size of love. + Wooden floors appreciate, lacework rug with a forest faked. I don’t make a thought at night, each night. + Hard enough to ride across the land of the real and make us light as dust. To cross islands of water and of seas, heroic minds in peace. Change the light across the ways. Change the mind, the lives and the days.
7.
a hard wooden ship 03:50
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A HARD WOODEN SHIP (IN THE WITHERING STORMS) // You are a stage of performing of arts and your body it moves like a queen, like a hard wooden ship on the sea, for as long as the light is out. Truth is a path that you form through your mind, with things that you already know, but in words that you don't understand and a reason to talk about. + Therefore I must be what I'll be, as long as it's nothing real. Therefore I am what I am, as long as it's in between of your eyes.¬¬ You’re the land and the land mines, the hard and the rough times, that I don't know. It’s the withering storms of hope. + The invention of electronic hearts needs a redefinition of birth, cause the man that I knew from the bar is now sitting outside and he lurks. He’s now sitting outside and he lurks. + Therefore I must be what I'll be, as long as it's nothing real. Therefore I am what I am as long as it's in between of your eyes.¬¬ You’re the land and the land mines, the hard and the rough times, that I don't know. It’s the withering storms of hope. Therefore I must be what I'll be.
8.
paint your house 03:45
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PAINT YOUR HOUSE // I am one, of silent industries, the one that waits, for stones to feel the heat. + Paint your house, in the colours of, the flags of peace and the flag of love, it’s useless. Change your name, to the one I bear, the awful sound to be unaware of futures. + So it seems, to where the light is out, that the tightness of rightness, is of course a thing you know. The silence of the waiting man, sends a lightning from above. But the violence of a silent man, is the only thing I love. + Paint your house, in the colours of the flags of peace and the flag of love, it’s useless. Change your name, to the one I bear, the awful sound to be unaware of futures. + Paint your house. Now you’re mine.
9.
trees with leaves 02:48
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TREES WITH LEAVES // I have been away for long and so it seems I won’t return, until I leave behind. Seven days a week I hope to find another place in time, and so I’ve been down. + The nights they are secure, it’s the people that want more. The feelings stay the same. It’s the heart without a name I fall. + Trees with leaves would disagree but I consider being me a task, more than nudity. All the ones that I have wound and all the things that I will do on time, because I disagree. + The nights they are secure, it’s the people that want more. The feelings stay the same. It’s the heart without a name I fall. + I’ve been down, down that line, line of hope, line of time. We are young, we are down, we are here, we are found. We all hate, we all dance, we all fake, we all dance, but all you do is waste my time. Waste my time.
10.
combine your tears 03:34
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COMBINE YOUR TEARS // So combine your tears, keep them locked for years, I’ll collect them all, when I am near. And before you go, I must let you know, that I’m not the one. + Before the eyes of gods, I wait before thee. Before the mind I’m not, you see right through me. + And the eagle’s eye sees the one beneath. Not the beating of the heart, nor the air you breathe. + Before the eyes of gods, I wait before thee. Before the mind I’m not, you see right through me. Before.
11.
landlord of the mice in Spain 03:50
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LANDLORD OF THE MICE IN SPAIN // Maybe I was wrong to place myself above you lord. To underestimate the power that you gave when you put my live in my hands. One day I felt strong, I saw you and then trouble came. I hope I never stay the same, I hope I change today and for the better. You explore my boundaries of necessities, the orders here that came to me are ancient. You explore my stays and go's, I say that I'll go, but I'll, I'll stay the night here. And it is my bed, it is my sweat, but do I get yours to blend it with. + You said I’m in trouble. You said I’m insane. But I’m not the landlord of the mice in Spain. So maybe I pretended, maybe you heard wrong. Lady what’s the difference? Now that you’re gone. + At the top of scale I saw you. In his gardens playing slowly, underneath the grass, all on top of you, he's all over you. Can't I be too? + It's the image of a god. It's the painless art of all. It's the closer that you'll get, the more that you’ll expect. And at night I dream of colours, at night I dream of seas, but all that I can see, and all that I believe, is the closest of the war. + At the top of scale I saw you. In his gardens playing slowly, underneath the grass, all on top of you, he's all over you. Can't I be too?
12.
how long is the way 04:25
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HOW LONG IS THE WAY // How long is the way? How cold is the dark side? How short are the days? There is truth and sides amongst the wrong side. And there are goals unreached in your life. Do you know? You don’t know.
13.
know that if I know 00:46
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KNOW THAT IF I KNOW // Know that if you go, that I will find out where. Know that if I know, that I will be right there.

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including a CD in large triptych wallet, a POSTER with drawing & lyrics, a beverage COASTER with download code to leave behind for someone you don't know and a POSTCARD with download code to send to someone you know.

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released October 17, 2014

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the salesman who Gent, Belgium

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